Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 17
... human race are most degraded . The poor , naked , half - human savages of New Holland were found excellent mimics : and , in civilized society , minds of the very lowest stamp alone satirize by copying . At least the difference which ...
... human race are most degraded . The poor , naked , half - human savages of New Holland were found excellent mimics : and , in civilized society , minds of the very lowest stamp alone satirize by copying . At least the difference which ...
Страница 72
... human mind , would be amply sufficient to prove , that such language and such combinations are the native produce neither of the fancy nor of the imagination ; that their operation consists in the excitement of surprise by the juxta ...
... human mind , would be amply sufficient to prove , that such language and such combinations are the native produce neither of the fancy nor of the imagination ; that their operation consists in the excitement of surprise by the juxta ...
Страница 181
... human , thrown out of all human analogy , and thereby leaving us neither rules for imitation , nor motives to imitate ; —but if false , it is a dangerous falsehood ; -for it affords a refuge to secret self - con- ceit , —enables a vain ...
... human , thrown out of all human analogy , and thereby leaving us neither rules for imitation , nor motives to imitate ; —but if false , it is a dangerous falsehood ; -for it affords a refuge to secret self - con- ceit , —enables a vain ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings