Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 72
... fancy nor of the imagination ; that their operation consists in the excitement of surprise by the juxta - position and apparent recon- ciliation of widely different or incompatible things . As when , for instance , the hills are made to ...
... fancy nor of the imagination ; that their operation consists in the excitement of surprise by the juxta - position and apparent recon- ciliation of widely different or incompatible things . As when , for instance , the hills are made to ...
Страница 125
... fancy seldom displays itself , as mere and unmodified fancy . But in imaginative power , he stands nearest of all modern writers to Shakespeare and Milton ; and yet in a kind perfectly unborrowed and his own . To employ his own words ...
... fancy seldom displays itself , as mere and unmodified fancy . But in imaginative power , he stands nearest of all modern writers to Shakespeare and Milton ; and yet in a kind perfectly unborrowed and his own . To employ his own words ...
Страница 140
... fancy under the conditions of the imagination , as an ever present but not always active power . He has an imaginative fancy , but he has not imagination , in kind or degree , as Shakespeare and Milton have ; the boldest effort of his ...
... fancy under the conditions of the imagination , as an ever present but not always active power . He has an imaginative fancy , but he has not imagination , in kind or degree , as Shakespeare and Milton have ; the boldest effort of his ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings