Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 52
... excitement , so the metre itself should be accompanied by the natural language of excitement . Secondly , that as these elements are formed into metre artificially , by a volun- tary act , with the design and for the purpose of blending ...
... excitement , so the metre itself should be accompanied by the natural language of excitement . Secondly , that as these elements are formed into metre artificially , by a volun- tary act , with the design and for the purpose of blending ...
Страница 53
... excitement . We may in some measure apply to this union the answer of POLIXENES , in the Winter's Tale , to PERDITA'S neglect of the streaked gilly - flowers , because she had heard it said , There is an art which , in their piedness ...
... excitement . We may in some measure apply to this union the answer of POLIXENES , in the Winter's Tale , to PERDITA'S neglect of the streaked gilly - flowers , because she had heard it said , There is an art which , in their piedness ...
Страница 72
... excitement of surprise by the juxta - position and apparent recon- ciliation of widely different or incompatible things . As when , for instance , the hills are made to reflect the image of a voice . Surely , no unusual taste is ...
... excitement of surprise by the juxta - position and apparent recon- ciliation of widely different or incompatible things . As when , for instance , the hills are made to reflect the image of a voice . Surely , no unusual taste is ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings