Coleridge's Literary Criticism |
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Страница 75
Samuel Taylor Coleridge John William Mackail. direct partiality . But the real
object which he had in view , was , I doubt not , a species of excellence which
had been long before most happily characterized by the judicious and amiable
GARVE ...
Samuel Taylor Coleridge John William Mackail. direct partiality . But the real
object which he had in view , was , I doubt not , a species of excellence which
had been long before most happily characterized by the judicious and amiable
GARVE ...
Страница 83
Samuel Taylor Coleridge John William Mackail. CHAPTER XX The former
subject continued . I have no fear in declaring my conviction , that the excellence
defined and exemplified in the preceding chapter is not the characteristic
excellence of ...
Samuel Taylor Coleridge John William Mackail. CHAPTER XX The former
subject continued . I have no fear in declaring my conviction , that the excellence
defined and exemplified in the preceding chapter is not the characteristic
excellence of ...
Страница 117
I have only to add , that all the praise which is due to the exertion of such
influence for a purpose so important , joined with that which must be claimed for
the infrequency of the same excellence in the same perfection , belongs in full
right to Mr ...
I have only to add , that all the praise which is due to the exertion of such
influence for a purpose so important , joined with that which must be claimed for
the infrequency of the same excellence in the same perfection , belongs in full
right to Mr ...
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living look manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason rest result scene seems sense Shakespeare speak spirit stanza style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings