Coleridge's Literary Criticism |
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Страница 44
At least , whatever new connexions of thoughts or images , or ( which is equally ,
if not more than equally , the appropriate effect of strong excitement ) whatever
generalizations of truth or experience the heat of passion may produce ; yet the ...
At least , whatever new connexions of thoughts or images , or ( which is equally ,
if not more than equally , the appropriate effect of strong excitement ) whatever
generalizations of truth or experience the heat of passion may produce ; yet the ...
Страница 51
It is equally obvious , that , except in the rhyme , and in the use of the single word
“ fruitless ” for “ fruitlessly ” , which is so far a defect , the language of these lines
does in no respect differ from that of prose . ' An idealist defending his system by
...
It is equally obvious , that , except in the rhyme , and in the use of the single word
“ fruitless ” for “ fruitlessly ” , which is so far a defect , the language of these lines
does in no respect differ from that of prose . ' An idealist defending his system by
...
Страница 112
The omnipresent Spirit works equally in them , as in the child ; and the child is
equally sking for and this pieces , aboveot make a beer of the wind it works
equally unconscious of it as they . It cannot surely be 112 WORDSWORTH.
The omnipresent Spirit works equally in them , as in the child ; and the child is
equally sking for and this pieces , aboveot make a beer of the wind it works
equally unconscious of it as they . It cannot surely be 112 WORDSWORTH.
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living look manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason rest result scene seems sense Shakespeare speak spirit stanza style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings