Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 51
... beautiful lines and sen- tences of frequent occurrence in good poems , which would be equally becoming as well as beautiful in good prose ; for neither the one nor the other has ever been either denied or doubted by any one . The true ...
... beautiful lines and sen- tences of frequent occurrence in good poems , which would be equally becoming as well as beautiful in good prose ; for neither the one nor the other has ever been either denied or doubted by any one . The true ...
Страница 165
... beautiful and affecting they are as odes and songs ! I think the famous Evinоν , Εὐίππου , Géve , in the Edipus Coloneus , cold in comparison with many of the odes of Euripides , as that song of the chorus in the Hippolytus- " Epws ...
... beautiful and affecting they are as odes and songs ! I think the famous Evinоν , Εὐίππου , Géve , in the Edipus Coloneus , cold in comparison with many of the odes of Euripides , as that song of the chorus in the Hippolytus- " Epws ...
Страница 169
... beautiful , now fanciful circumstances , which form its dresses and its scenery ; or by divert- ing our attention from the main subject by those frequent witty or profound reflections , which the reader poet's ever active mind has ...
... beautiful , now fanciful circumstances , which form its dresses and its scenery ; or by divert- ing our attention from the main subject by those frequent witty or profound reflections , which the reader poet's ever active mind has ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings