Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 9
... Ancient Mariner Mrs. Barbauld once told me that she admired the Ancient Mariner very much , but that there were two faults in it - it was improbable , and had no moral . As for the probability , I owned that that might admit some ...
... Ancient Mariner Mrs. Barbauld once told me that she admired the Ancient Mariner very much , but that there were two faults in it - it was improbable , and had no moral . As for the probability , I owned that that might admit some ...
Страница 164
Samuel Taylor Coleridge John William Mackail. 164 ANCIENT HISTORIANS : GIBBON nothing is real , vivid , true ; all is scenical , and as it were , exhibited by candlelight . And then to call it a History of ... ANCIENT HISTORIANS: GIBBON ...
Samuel Taylor Coleridge John William Mackail. 164 ANCIENT HISTORIANS : GIBBON nothing is real , vivid , true ; all is scenical , and as it were , exhibited by candlelight . And then to call it a History of ... ANCIENT HISTORIANS: GIBBON ...
Страница 261
... Ancient Mariner , The , 9 . Angelo , Michel , 243 . Apuleius , 138 . Arabian Nights , 9 . Ariel , 208 ff . , 231 . Ariosto , 169 , 190 . Aristophanes , 17-18 . Aristotle , 33 and n , 99 , 180 . Asgill , 147 . Bacon , Francis , 42 , 43 ...
... Ancient Mariner , The , 9 . Angelo , Michel , 243 . Apuleius , 138 . Arabian Nights , 9 . Ariel , 208 ff . , 231 . Ariosto , 169 , 190 . Aristophanes , 17-18 . Aristotle , 33 and n , 99 , 180 . Asgill , 147 . Bacon , Francis , 42 , 43 ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings