Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница xv
... admiration for Shakespeare was boundless . But it was not always true . In his critical as in his creative work he was ... admirable ; he sees where they went wrong , and how : but he falls into errors of his own which it is now easy to ...
... admiration for Shakespeare was boundless . But it was not always true . In his critical as in his creative work he was ... admirable ; he sees where they went wrong , and how : but he falls into errors of his own which it is now easy to ...
Страница 223
... admirable portrait of intel- lectual power deserted by all grace , all moral prin- ciple , all not momentary impulse ; —just wise enough to detect the weak head , and fool enough to provoke the armed fist of his betters ; -one whom ...
... admirable portrait of intel- lectual power deserted by all grace , all moral prin- ciple , all not momentary impulse ; —just wise enough to detect the weak head , and fool enough to provoke the armed fist of his betters ; -one whom ...
Страница 249
... admirable , indeed , but yet more wonderful than admirable , play is from the fertility and vigour of invention , character , language , and sentiment the strongest proof , how impossible it is to keep up any pleasurable interest in a ...
... admirable , indeed , but yet more wonderful than admirable , play is from the fertility and vigour of invention , character , language , and sentiment the strongest proof , how impossible it is to keep up any pleasurable interest in a ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings