Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 199
... Shakespeare the heterogeneous is united , as it is in nature . You must not suppose a pressure or passion always acting on or in the character ; passion in Shakespeare is that by which the individual . is distinguished from others , not ...
... Shakespeare the heterogeneous is united , as it is in nature . You must not suppose a pressure or passion always acting on or in the character ; passion in Shakespeare is that by which the individual . is distinguished from others , not ...
Страница 202
... Shakespeare's sentences , whether in verse or prose , is the necessary and homogeneous vehicle of his peculiar manner of thinking . His is not the style of the age . More ... Shakespeare above all other men possessed 202 SHAKESPEARE.
... Shakespeare's sentences , whether in verse or prose , is the necessary and homogeneous vehicle of his peculiar manner of thinking . His is not the style of the age . More ... Shakespeare above all other men possessed 202 SHAKESPEARE.
Страница 204
... Shakespeare's poetry is characterless ; that is , it does not reflect the individual Shakespeare ; but John Milton himself is in every line of the Paradise Lost . Shakespeare's rhymed verses are excessively condensed , -epigrams with ...
... Shakespeare's poetry is characterless ; that is , it does not reflect the individual Shakespeare ; but John Milton himself is in every line of the Paradise Lost . Shakespeare's rhymed verses are excessively condensed , -epigrams with ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings