Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
Между кориците на книгата
Резултати 1 - 3 от 17.
Страница 240
... Lear . Lit. Rem . II . 205 . Of all Shakespeare's plays Macbeth is the most rapid , Hamlet the slowest , in movement . Lear com- bines length with rapidity - like the hurricane and the whirlpool , absorbing while it advances . It begins ...
... Lear . Lit. Rem . II . 205 . Of all Shakespeare's plays Macbeth is the most rapid , Hamlet the slowest , in movement . Lear com- bines length with rapidity - like the hurricane and the whirlpool , absorbing while it advances . It begins ...
Страница 241
... Lear's eager wish to enjoy his daughter's violent professions , whilst the inveterate habits of sovereignty convert the wish into claim and positive right , and an incompliance with it into crime and treason ; -these facts , these ...
... Lear's eager wish to enjoy his daughter's violent professions , whilst the inveterate habits of sovereignty convert the wish into claim and positive right , and an incompliance with it into crime and treason ; -these facts , these ...
Страница 262
... Lear , 206-7 . Elwes , the miser , 229 . Elegy , 5 . Epictetus , 103 . Erasmus , 190 . Euripides , 164 , 165 , 166 . Faery Queene , 63 , 76 , 139 ff . Falstaff , 205-6 . Farce , definition of , 201 . Ferdinand , 210 ff . , 229 ...
... Lear , 206-7 . Elwes , the miser , 229 . Elegy , 5 . Epictetus , 103 . Erasmus , 190 . Euripides , 164 , 165 , 166 . Faery Queene , 63 , 76 , 139 ff . Falstaff , 205-6 . Farce , definition of , 201 . Ferdinand , 210 ff . , 229 ...
Други издания - Преглед на всички
Често срещани думи и фрази
action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings