Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 250
... BEAUMONT AND FLETCHER The plays of Beaumont and Fletcher are mere aggregations without unity ; in the Shakespearian drama there is a vitality which grows and evolves itself from within , a key note which guides and controls the ...
... BEAUMONT AND FLETCHER The plays of Beaumont and Fletcher are mere aggregations without unity ; in the Shakespearian drama there is a vitality which grows and evolves itself from within , a key note which guides and controls the ...
Страница 252
... Beaumont and Fletcher you have descriptions of characters by the poet rather than the characters themselves ; we are told , and impressively told , of their being ; but we rarely or never feel that they actually are . Beaumont and ...
... Beaumont and Fletcher you have descriptions of characters by the poet rather than the characters themselves ; we are told , and impressively told , of their being ; but we rarely or never feel that they actually are . Beaumont and ...
Страница 253
... Beaumont and Fletcher's plays . How those plays overflow with wit ! And yet I scarcely know a more deeply tragic scene anywhere than that in Rollo , in which Edith pleads for her father's life , and ... Beaumont BEAUMONT AND FLETCHER 253.
... Beaumont and Fletcher's plays . How those plays overflow with wit ! And yet I scarcely know a more deeply tragic scene anywhere than that in Rollo , in which Edith pleads for her father's life , and ... Beaumont BEAUMONT AND FLETCHER 253.
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings