Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 165
... Aeschylus ; in youth and middle age , I preferred Euripides ; now , in my declining years , I admire Sophocles . I can now at length see that Sophocles is the most perfect . Yet he never rises to the sublime simplicity of Aeschylus ...
... Aeschylus ; in youth and middle age , I preferred Euripides ; now , in my declining years , I admire Sophocles . I can now at length see that Sophocles is the most perfect . Yet he never rises to the sublime simplicity of Aeschylus ...
Страница 166
Samuel Taylor Coleridge John William Mackail. or envy cannot enter . With Aeschylus or Sophocles he might perchance have matched himself . In Euripides you have oftentimes a very near approach to comedy , and I ... Aeschylus or Sophocles ...
Samuel Taylor Coleridge John William Mackail. or envy cannot enter . With Aeschylus or Sophocles he might perchance have matched himself . In Euripides you have oftentimes a very near approach to comedy , and I ... Aeschylus or Sophocles ...
Страница 261
Samuel Taylor Coleridge John William Mackail. INDEX ✓. Aeschylus , 10,61 , 104 , 164 , 165 , 166 , 193 . Allegorical writing , 137-8 . Ancient Mariner , The , 9 . Angelo , Michel , 243 . Apuleius , 138 . Arabian Nights , 9 . Ariel , 208 ...
Samuel Taylor Coleridge John William Mackail. INDEX ✓. Aeschylus , 10,61 , 104 , 164 , 165 , 166 , 193 . Allegorical writing , 137-8 . Ancient Mariner , The , 9 . Angelo , Michel , 243 . Apuleius , 138 . Arabian Nights , 9 . Ariel , 208 ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings