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And Jonfon, of those few the best, chose this,
As the best model of his master-piece :
Subtle was got by our Albumazar,
That Alchemift by this Aftrologer;

Here he was fashion'd, and we may suppose
He lik'd the fashion well, who wore the clothes.
But Ben made nobly his what he did mould;
What was another's lead, becomes his gold :
Like an unrighteous conqueror he reigns,
Yet rules that well, which he unjustly gains.
But this our age fuch authors does afford,

As make whole plays, and yet scarce write one word:
Who, in this anarchy of wit, rob all,

And what's their plunder, their poffeffion call:
Who, like bold padders, fcorn by night to prey,
But rob by fun-fhine, in the face of day:
Nay fcarce the common ceremony use

Of, Stand, Sir, and deliver up your Muse ;'
But knock the Poet down, and, with a grace,
Mount Pegasus before the owner's face.
Faith, if you have fuch country Toms abroad,
'Tis time for all true men to leave that road.
Yet it were modeft, could it but be faid,
They ftrip the living, but thefe rob the dead;
Dare with the mummies of the Mufes play,
And make love to them the Ægyptian way;
Or, as a rhyming author would have said,
Join the dead living to the living dead.
Such men in Poetry may claim some part:
They have the licence, though they want the art;

And

And might, where theft was prais'd, for Laureats ftand,
Poets, not of the head, but of the hand.

They make the benefits of others ftudying,
Much like the meals of politic Jack-Pudding,

Whose dish to challenge no man has the courage;
'Tis all his own, when once he has spit i' th' porridge,
But, gentlemen, you're all concern'd in this;
You are in fault for what they do amifs :

For they their thefts ftill undifcover'd think,
And durft not steal, unless you please to wink.
Perhaps, you may award by your decree,
They fhould refund; but that can never be.
For fhould you letters of reprifal feal,

Thefe men write that which no man elfe would steal.

XXXVII.

AN EPILOGU E.

You faw our wife was chafte, yet throughly try'd,

And, without doubt, y' are hugely edify'd;

For, like our hero, whom we fhew'd to-day,
You think no woman true, but in a play.
Love once did make a pretty kind of show:
Efteem and kindnefs in one breaft would grow:
But 'twas Heaven knows how many years ago.
Now fome small-c' at, and guinea expectation,
Gets all the pretty creatures in the nation :
In Comedy your little felves you meet;
"Tis Covent Garden drawn in Bridges-ftreet.

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Smile

Smile on our author then, if he has shown
A jolly nut-brown baftard of your own.
Ah! happy you, with ease and with delight,
Who act thofe follies, Poets toil to write!

The fweating Muse does almost leave the chace;

She puffs, and hardly keeps your Protean vices pace. Pinch but in one vice, away you fly

you

To some new frisk of contrariety.

You roll like fnow-balls, gathering as you run;
And get feven devils, when difpoffefs'd of one.
Your Venus once was a Platonic queen;
Nothing of love befide the face was feen;
But every inch of her you now uncafe,
And clap a vizard-mask upon the face :
For fins like thefe, the zealous of the land,
With little hair, and little or no band,
Declare how circulating peftilences

Watch, every twenty years, to fnap offences.
Saturn, ev'n now, takes doctoral degrees;
He'll do your work this fummer without fees.
Let all the boxes, Phoebus, find thy grace,
And, ah, preserve the eighteen-penny place!
But for the pit confounders, let them go,
And find as little mercy as they show :
The Actors thus, and thus thy Poets pray;
For
every critic fav'd, thou damn'ft a play.

XXXVIII. PRO

XXXVIII.

PROLOGUE to the HUSBAND his own CUCKOLD.

LIKE fome raw fophifter that mounts the pulpit,
So trembles a young poet at a full pit.

Unus'd to crowds, the Parson quakes for fear,
And wonders how the devil he durft come there ;
Wanting three talents needful for the place,
Some beard, fome learning, and fome little grace:
Nor is the puny Poet void of care.

For authors, fuch as our new authors are,

Have not much learning nor much wit to spare:
And as for grace, to tell the truth, there's scarce one,
But has as little as the very Parfon :

Both fay, they preach and write for your inftruction :
But 'tis for a third day, and for induction.

The difference is, that though you like the play,
The Poet's gain is ne'er beyond his day.

But with the Parfon 'tis another cafe,
He, without holiness, may rife to grace;
The Poet has one difadvantage more,

That, if his play be dull, he 's damn'd all o'er,
Not only a damn'd blockhead, but damn'd poor.
But dulness well becomes the fable garment;
I warrant that ne'er fpoil'd a Prieft's preferment:
Wit's not his bufinefs; and as wit now goes,
Sirs, 'tis not fo much yours as you suppose,
For you like nothing now but naufeous beaux.

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You

You laugh not, gallants, as by proof appears,

At what his beaufhip fays, but what he wears ;
So 'tis your eyes are tickled, not your ears :
The taylor and the furrier find the stuff,
The wit lies in the drefs, and monstrous muff.
The truth on 't is, the payment of the pit
Is like for like, clipt money for clipt wit.
You cannot from our abfent author hope
He should equip the ftage with fuch a fop:
Fools change in England, and new fools arife,
For though th' immortal fpecies never dies,
Yet every year new maggots make new flies.
But where he lives abroad, he scarce can find
One fool, for millions that he left behind.

XXXIX.

PROLOGUE to the PILGRIM.
Revived for our Author's Benefit, Anno 1700.

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HOW wretched is the fate of those who write!
Brought muzzled to the stage, for fear they bite.
Where, like Tom Dove, they stand the common foe;
Lugg'd by the critic, baited by the beau.
Yet, worse, their brother Poets damn the play,
And roar the loudeft, though they never pay.
The fops are proud of scandal, for they cry,
At every lewd, low character,-That's I.
He, who writes ietters to himself, would fwear,
The world forgot him, if he was not there.

What

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