Reason Diminished: Shakespeare and the MarvelousU of Nebraska Press, 1.01.1997 г. - 271 страници Reason Diminished examines ?the power that wonder wields over reason in [Shakespeare?s] late plays, both philosophically and dramaturgically.? Peter Platt posits that, in these famous plays, wonder and the marvelous are assigned preeminent positions over reason and order. In fact, Platt argues that the marvelous played a crucial role in Renaissance culture as a whole. ø The book opens by surveying theories of wonder from Aristotle?s Poetics and Metaphysics through the writings of Renaissance theorists. A crucial chapter examines the many ways that the Renaissance attempted to bring the marvelous to bear on the world around it. The next two chapters look at the tension between realism and the marvelous in Elizabethan fiction and the theatrical tradition of the masque. ø Part of the book examines the role of wonder and the marvelous in Shakespeare?s ?romances?: Pericles, Cymbeline, The Winter?s Tale, and The Tempest. ?Shakespeare?s romances,? writes Platt, ?represent various experiments with the marvelous.? Platt argues that ?late Shakespeare . . . invites the spectators to engage in?and in some cases to shape?the marvels on the stage before them.? ø A persuasive and resourceful study of some of Shakespeare?s most celebrated works, Reason Diminished will add significantly to the ongoing reassessment of Shakespeare?s plays and the world in which they took shape. |
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Съдържание
Wonder and the Reformation | 19 |
Wonder and the Natural World | 36 |
Wonder and Elizabethan Fiction | 66 |
The Masque and the Marvelous | 99 |
Pericles and the Wonder | 124 |
Amazd with Matter | 139 |
Wonder | 153 |
Wonder Personified Wonder | 169 |
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admiration aesthetic Agrippa Aguzzi-Barbagli amazement Arcadia argue Aristotelian Aristotle Aristotle's audience Bacon Ben Jonson California Press Cambridge chapter Chicago claims Cymbeline deca deca ammirabile delight Descartes dramatic Edited Elizabethan emblem English epistemological explored eyes Faerie Queene Felperin fiction Francesco Patrizi Gower Greenblatt haue Helgerson History Hymenaei Iconoclasm images Imogen important Inigo Jones J. V. Cunningham John John Dee Jonson Jonsonian Masque knowledge late plays Leontes linked Literary Criticism London Longinus magic marvelous miracles monsters Montaigne Nashe Nashe's nature notes Orgel Oxford Patrizi Pericles Philosophy Poetics poetry Posthumus power of wonder prodigies Prospero Ralegh reader reading reason Reformation Renaissance repr reveals Rhetoric Romance scene seems sense Shakespeare Sidney Sidney's skepticism spectacle spectators speech Spenser stage strange subsequent citations suggests Tempest theater theatrical theory things Thomas Thomas Nashe tradition trans Translated truth Tyndale vision visual vols Winter's Tale wondrous words writing York