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Sc. 3. p. 403.

WOR. As to o'er-walk a current, roaring loud,
On the unsteadfast footing of a spear.

He seems to allude to the practice of making a bridge by means of a sword or a spear sometimes adopted by the heroes of ancient chivalry. See Lancelot of the lake, and other similar romances. Such an incident is represented on an ivory chest engraved in the first volume of Mr. Carter's Specimens of ancient sculpture and painting.

Sc. 3. p. 407.

Hor. And that same sword-and-buckler prince of Wales. To convey to the reader a complete idea of a sword and buckler man of Shakspeare's time, the following print of a young Englishman is exhibited. It is taken from the collection of dresses designed by Titian and said to have been engraved on wood by his brother Cesar Vecelli, the editor of which remarks that the English youths then made great use of the sword and buckler. A similar figure occurs in the frontispiece to Cranmer's Bible designed by Holbein, which has been most unfaithfully copied in Lewis's History of the translations of the bible. Mr. Strutt has

given more correct copies of the man with the buckler in his Manners and customs of the inhabitants of England, vol. iii. pl. xii. and in his Dress and habits of the people of England, pl. cxxxviii.

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The subject receives much illustration from a passage in Stowe's chronicle, p. 869, edit. 1634, "Untill about the twelfe or thirteenth yeere of Queene Elizabeth the auncient English fight of sword and buckler was onely had in use: the bucklers then being but a foote broad, with a pike of foure or five inches long. Then they began to make them full halfe ell broad with sharpe pikes ten or twelve inches long wherewith they meant either to breake the swords of their enemies, if it hit upon the pike, or els suddenly to run within them and stabbe, and thrust their buckler with the pike, into the face, arme or body of their adversary; but this continued not long. Every haberdasher then sold bucklers." The above historian had, no doubt, good autho rity for what he says respecting the length of the pike; but it is certain that in the eighth year of Elizabeth a proclamation was issued by which no person was permitted to wear any sword or rapier that should exceed the length of one yard and half a quarter in the blade, nor any dagger above the length of twelve inches in the blade, nor any buckler with a point or pike exceeding the length of two inches. The mode of wearing the buckler at the back may be seen in the cut p. 339.

Sc. 3. p. 407.

HOT, I'd have him poison'd with a pot of ale.

Mr.. Steevens suggests that this speech has reference to the prince of Wales's pot companions, and Dr. Grey, to the inanner of King John's death. It will indeed suit either of those circumstances. But this remark has been principally made for the purpose of correcting an error of long standing with respect to what has been generally called Caxton's chronicle. Dr. Grey, relying perhaps on Bale or Nicolson, has inaccurately cited Caxton's Fructus temporum for the account of King John's death; yet this work was never printed by Caxton under that title. It was professedly compiled by a schoolmaster of Saint Alban's, and originally printed in that city in 1483. In this form it is properly called The Saint Alban's chronicle, and is in fact a republication of one attributed to Caxton, with some additions at the beginning and end. The original often occurs in manuscript both in French and English; and, from the evidence of an ancient note in one copy preserved among the Harleian, manuscripts, appears to have been composed by a Monk of Glastonbury, named Douglas, who in the early part

of it has copied Geoffrey of Monmouth. This work has been commonly ascribed to Caxton, and is often cited, even by old writers, under the name of his chronicle, though he only made a trifling addition by a continuation to his own time. It is likewise supposed to have been originally printed by him, but this is in all probability a mistake; for there is an edition undoubtedly printed by William Machlinia without date, which had escaped the observation of the correct and industrious Herbert. The type is the same as that used in the Speculum Christiani. This is presumed to be the prior edition which is spoken of in the prologue to that which Caxton printed in 1480, and there is no proof whatever that he printed any edition before that year.

ACT II.

Scene 3. Page 436.

LADY PER. Of basilisks, of cannon, culverin.

In the note we are only told that "a basilisk is a cannon of a particular kind." It is well known that there was a serpent so called, perhaps an imaginary one; and this animal with others of

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