“The” Plays of William Shakespeare, Том 4F. C. and J. Rivington, J. Johnson, R. Baldwin, 1805 |
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Страница 21
... head to any good man's hat , These oaths and laws will prove an idle scorn.— Sirrah , come on . Cost . I suffer for the truth , sir : for true it is , I was taken with Jaquenetta , and Jaquenetta is a true girl ; and therefore , Welcome ...
... head to any good man's hat , These oaths and laws will prove an idle scorn.— Sirrah , come on . Cost . I suffer for the truth , sir : for true it is , I was taken with Jaquenetta , and Jaquenetta is a true girl ; and therefore , Welcome ...
Страница 32
... . " Steevens ... & Were all address'd- ] To address is to prepare . So , in Hamlet : 66 It lifted up its head , and did address " Itself to motion . " Steevens . King . You shall be welcome , madam , to 32 LOVE'S LABOUR'S LOST .
... . " Steevens ... & Were all address'd- ] To address is to prepare . So , in Hamlet : 66 It lifted up its head , and did address " Itself to motion . " Steevens . King . You shall be welcome , madam , to 32 LOVE'S LABOUR'S LOST .
Страница 44
... i . e . a head . So , in Hycke Scorner : " I wyll rappe you on the costard with my horne . " Steevens . -no l'envoy ; ] The l'envoy is a term borrowed from the the mail , sir : O , sir , plantain 44 LOVE'S LABOUR'S LOST .
... i . e . a head . So , in Hycke Scorner : " I wyll rappe you on the costard with my horne . " Steevens . -no l'envoy ; ] The l'envoy is a term borrowed from the the mail , sir : O , sir , plantain 44 LOVE'S LABOUR'S LOST .
Страница 45
... head of a few con- cluding verses to each piece , which either served to convey the moral , or to address the poem to some particular person . It was frequently adopted by the ancient English writers . So , in Monsieur D'Olive , 1606 ...
... head of a few con- cluding verses to each piece , which either served to convey the moral , or to address the poem to some particular person . It was frequently adopted by the ancient English writers . So , in Monsieur D'Olive , 1606 ...
Страница 47
... head was anciently called the costard . So , in King Richard III : “ Take him over the cos- tard with the hilt of thy sword . " A costard likewise signified a erab - stick . So , in The Loyal Subject of Beaumont and Fletcher : " I hope ...
... head was anciently called the costard . So , in King Richard III : “ Take him over the cos- tard with the hilt of thy sword . " A costard likewise signified a erab - stick . So , in The Loyal Subject of Beaumont and Fletcher : " I hope ...
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alludes Amadis de Gaula ancient Ansaldo Antonio Armado Bass Bassanio Beat Beatrice believe Ben Jonson Benedick Biron Bora Boyet called Claud Claudio Costard Dogb doth ducats Duke editions editor emendation Enter Exeunt Exit eyes fair father flesh fool Giannetto give grace Gratiano hath hear heart heaven Hero honour John Johnson King Henry lady Laun Launcelot Leon Leonato letter lord Lorenzo Love's Labour's Lost madam Malone marry Mason master master constable means Merchant of Venice merry Midsummer Night's Dream Monarcho Moth musick never night old copies passage Pedro peize play poet Pompey Portia praise pray prince princess quarto Ritson romances says scene sense Shakspeare Shakspeare's Shylock signifies signior speak Steevens suppose swear sweet tell thee Theobald thing thou tongue true Tyrwhitt unto Venice Warburton word