Weapons of Criticism: Marxism in America and the Literary Tradition

aesthetic alienation American artist Azdak Balzac Bartleby beauty become Belinda Billy Budd Black Blake Blake's Book of Urizen bourgeois bourgeoisie Brecht capitalism century Césaire character Christophe Coleridge concept consciousness contradictions creative criticism culture Dostoevsky economic essay exchange-value existence experience exploitation expression fact Falstaff feudal Fitzgerald forces Four Zoas French French Revolution Gatsby Grusha Herman Melville human Ibid ideas ideological imagination individual intellectual interpretation James Karl Marx kolkhoz Kubla Khan labor Le Père Goriot Lee Baxandall literary literature live man's Marx Marxist material means Melville Melville's Moby-Dick modern modernist moral movement narrator nature négritude novel object perverse petty bourgeois petty bourgeoisie philosophical play poem poet poetry political Pope Pope's production psychological radical realism reality relation revolution revolutionary ruling class sense slave social story structure struggle theme theory thought tion tradition transformation understanding University values vision writing