The Discourses of Sir Joshua Reynolds: To which are Added His Letters to 'The Idler'H. Frowde, Oxford University Press, 1907 - 260 страници |
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Страница xiii
... School . 1740. Apprenticed to Thomas Hudson , of Great Queen Street , Lincoln's Inn Fields . 1743. Returns to ... Venice , etc. 1752. October 16. Arrives in London . 1753. Sets up in Sir James Thornhill's old house in St. Martin's Lane ...
... School . 1740. Apprenticed to Thomas Hudson , of Great Queen Street , Lincoln's Inn Fields . 1743. Returns to ... Venice , etc. 1752. October 16. Arrives in London . 1753. Sets up in Sir James Thornhill's old house in St. Martin's Lane ...
Страница 20
... Venetian and Flemish schools , which owe much of their fame to colouring , have enriched the cabinets of the ... school , Rubens and Vandyck made their designs for the most part either in colours or in chiaroscuro . It is as common to find ...
... Venetian and Flemish schools , which owe much of their fame to colouring , have enriched the cabinets of the ... school , Rubens and Vandyck made their designs for the most part either in colours or in chiaroscuro . It is as common to find ...
Страница 42
... schools , have formed their practice ; and by this they have deservedly obtained the highest praise . These are the ... school . Next to these , but in a very different style of excel- lence , we may rank the Venetian , together with ...
... schools , have formed their practice ; and by this they have deservedly obtained the highest praise . These are the ... school . Next to these , but in a very different style of excel- lence , we may rank the Venetian , together with ...
Страница 43
... Venetian school , seem to have painted with no other purpose than to be admired for their skill and expertness in the mechanism of painting , and to make a parade of that art , which , as I before observed , the higher style requires ...
... Venetian school , seem to have painted with no other purpose than to be admired for their skill and expertness in the mechanism of painting , and to make a parade of that art , which , as I before observed , the higher style requires ...
Страница 46
... Venetian painters did not learn to draw correctly in their early youth , and adopt a better manner of study . ' By this it appears , that the principal attention of the Venetian ... school from the sight of a picture of Titian , how much more ...
... Venetian painters did not learn to draw correctly in their early youth , and adopt a better manner of study . ' By this it appears , that the principal attention of the Venetian ... school from the sight of a picture of Titian , how much more ...
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acquired admiration advantage ancient appear artist attempt attention Caracci Carlo Maratti character Claude Lorraine colouring composition considered contrary Correggio criticism December 11 defects degree dignity DISCOURSE disposition distinguished drapery drawing dress Edmund Blunden effect elegance endeavour equally Essays excellence expression figure finished Gainsborough genius give grace grandeur habit higher highest imagination imitation instance invention judgement justly kind labour light and shadow manner Masaccio masters means method Michel Angelo mind minute modern nature necessary never object observed opinion ornaments painter painting particular passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps picture Pietro Perugino poet poetry portraits possessed Poussin practice prejudices principles proceed produced Raffaelle reason recommend Rembrandt Reynolds REYNOLDS'S Royal Academy Rubens rules sculpture sense Sergius Paulus simplicity spectator student style sublime suppose taste things thought tion Titian true truth variety Venetian Venetian school vulgar whole wish