The Discourses of Sir Joshua Reynolds: To which are Added His Letters to 'The Idler'H. Frowde, Oxford University Press, 1907 - 260 страници |
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Страница 8
... Caracci , though he was often sufficiently licentious in his finished works , drawn with all the peculiarities of an individual model . This scrupulous exactness is so contrary to the practice of the Academies , that it is not without ...
... Caracci , though he was often sufficiently licentious in his finished works , drawn with all the peculiarities of an individual model . This scrupulous exactness is so contrary to the practice of the Academies , that it is not without ...
Страница 18
... Caracci ( I mean his best works ) appears to me to approach the nearest to perfection . His unaffected breadth of light and shadow , the simplicity of colouring , which , holding its proper rank , does not draw aside the least part of ...
... Caracci ( I mean his best works ) appears to me to approach the nearest to perfection . His unaffected breadth of light and shadow , the simplicity of colouring , which , holding its proper rank , does not draw aside the least part of ...
Страница 45
... Caracci thought twelve figures sufficient for any story ; he conceived that more would contribute to no end but to fill space ; that they would be but cold spectators of the general action , or , to use his own expression , that they ...
... Caracci thought twelve figures sufficient for any story ; he conceived that more would contribute to no end but to fill space ; that they would be but cold spectators of the general action , or , to use his own expression , that they ...
Страница 58
... Caracci , whose example I formerly recom- mended to you , employed it . He was acquainted with the works both of Correggio and the Venetian painters , and knew the principles by which they produced those pleasing effects , which , at ...
... Caracci , whose example I formerly recom- mended to you , employed it . He was acquainted with the works both of Correggio and the Venetian painters , and knew the principles by which they produced those pleasing effects , which , at ...
Страница 59
... Caracci , for instance , preserved in his works in oil the same spirit , vigour , and correctness which he had in fresco . I have no desire to degrade Raffaelle from the high rank which he deservedly holds ; but by comparing him with ...
... Caracci , for instance , preserved in his works in oil the same spirit , vigour , and correctness which he had in fresco . I have no desire to degrade Raffaelle from the high rank which he deservedly holds ; but by comparing him with ...
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acquired admiration advantage ancient appear artist attempt attention Caracci Carlo Maratti character Claude Lorraine colouring composition considered contrary Correggio criticism December 11 defects degree dignity DISCOURSE disposition distinguished drapery drawing dress Edmund Blunden effect elegance endeavour equally Essays excellence expression figure finished Gainsborough genius give grace grandeur habit higher highest imagination imitation instance invention judgement justly kind labour light and shadow manner Masaccio masters means method Michel Angelo mind minute modern nature necessary never object observed opinion ornaments painter painting particular passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps picture Pietro Perugino poet poetry portraits possessed Poussin practice prejudices principles proceed produced Raffaelle reason recommend Rembrandt Reynolds REYNOLDS'S Royal Academy Rubens rules sculpture sense Sergius Paulus simplicity spectator student style sublime suppose taste things thought tion Titian true truth variety Venetian Venetian school vulgar whole wish