ShakespeareRoutledge, 11.10.2013 г. - 208 страници First published in 1951. |
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... nature— the reverse. That is to say, “the hero . . . is a prey to passions foreign (in a sense) to his nature, and is led into conduct to which he is not inclined.” “There can be no question,” says Professor Stoll, “for those who either ...
... nature forbids him to accept, to the point of distrusting the testimony and character of those whom both his nature and their own forbid him to discredit. 'His unquestioning faith in Desdemona is his life,' says Sir Walter Raleigh—in so ...
... nature” (I, iii, 98, 101). Invoking the facts of real-life psychology, one might well suggest that Othello might have had a deep-rooted inferiority complex on account of his race and colour: he might well himself wonder sometimes how ...
... nature Whom passion could not shake? (IV. i. 275—7) These lines describe Othello as Venice knew him, before the temptation. Can such a change be psychologically credible? But there is evidence in the play that Lodovico and the “full ...
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Съдържание
7 | |
9 | |
Chapter II Shakespeare and the OrderDisorder Antithesis | 39 |
Chapter III Comedy | 57 |
Chapter IV Imaginative Interpretation and Troilus and Cressida | 89 |
Chapter V History | 115 |
Chapter VI Tragedy | 157 |
Chapter VII The Last Plays | 188 |
Book List | 201 |
Index | 205 |