5. Questioning with wonder. 6. Exclamatory. ment. 9. Dread giving place to confidence. 1The bell strikes one. 8. Astonish We take no note of time, But from its loss. To give it then a tongue Is wise in man. I feel the solemn sound. If heard aright, It is the knell of my departed hours: Where are they? with the years beyond the flood. How much is to be done! 3My hopes and fears 5 And can eternity belong to me, Poor pensioner on the bounties of an hour? A worm! a god! I tremble at myself, Triumphantly distress'd, what joy, what dread! What can preserve my life, or what destroy? Young. 1. Feelingly. 2. Questioning. 3. Touching pathos. 4. Tender reflection. 5. Solemn entreaty. 6. Warning. 'THE Sorrow for the dead is the only sorrow from which we refuse to be divorced. Every other wound we seek to heal-every other affliction to forget; but this wound we consider it a duty to keep open-this affliction we cherish and brood over in solitude. 2Where is the mother who would willingly forget the infant that perished like a blossom from her arms, though every recollection is a pang? Where is the child that would willingly forget the most tender of parents, though to remember be but to lament? Who, even in the hour of agony, would forget the friend over whom he mourns? Who, even when the tomb is closing upon the remains of her he most loved; when he feels his heart, as it were, crushed in the closing of its portal; would accept of consolation that must be bought by forgetfulness? No, the love which survives the tomb is one of the noblest attributes of the soul. If it has its woes, it has likewise its delights; and when the overwhelming burst of grief is calmed into the gentle tear of recollection; when the sudden anguish and the convulsive agony over the present ruins of all that we most loved, is softened away into pensive meditation on all that it was in the days of its loveliness, who would root out such a sorrow from the heart? Though it may sometimes throw a passing cloud over the bright hour of gaiety; or spread a deeper sadness over the hour of gloom; yet, who would exchange it, even for a song of pleasure, or the burst of revelry? No, there is a voice from the tomb sweeter than song. There is a remembrance of the dead to which we turn even from the charms of the living. Oh, the grave!-the grave!—it buries every error-covers every defect-extinguishes every resentment. From its peaceful bosom spring none but fond regrets and tender recollections. Who can look down upon the grave even of an enemy, and not feel a compunctious throb, that he should ever have warred with the poor handful of earth that lies mouldering before him! 'But the grave of those we loved-what a place for meditation! There it is that we call up in long review the whole history of virtue and gentleness, and the thousand endearments lavished upon us, almost unheeded in the daily course of intimacy-there it is that we dwell upon the tenderness, the solemn, awful tenderness of the parting scene. The bed of death, with all its stifled griefs-its noiseless attendance- its mute, watchful assiduities. The last testimonies of expiring love! The feeble, fluttering, thrilling-oh! how thrilling !-pressure of the hand. The last fond look of the glazing eye, turning upon us, even from the threshold of existence! The faint, faltering accents, struggling in death to give one more assurance of affection! 5Ay! go to the grave of buried love, and meditate! there settle the account with thy conscience for every past benefit unrequited-every past endearment unregarded, of that departed being, who can never-never-never return to be soothed by thy contrition! If thou art a child, and hast ever added a sorrow to the soul, or a furrow to the silver brow of an affectionate parent -if thou art a husband, and hast ever caused the fond bosom that ventured its whole happiness in thy arms, to doubt one moment of thy kindness or thy truth-if thou art a friend, and hast ever wronged, in thought, or word, or deed, the spirit that generously confided in thee-if thou art a lover, and hast ever given one unmerited pang to that true heart which now lies cold and still beneath thy feet ;-then be sure that every unkind look, every ungracious word, every ungentle action, will come thronging back upon thy memory, and knocking dolefully at thy soul-then be sure that thou wilt lie down sorrowing and repentant on the grave, and utter the unheard groan, and pour the unavailing tear; more deep, more bitter, because unheard and unavailing. Then weave thy chaplet flowers, and strew the beauties of nature about the grave; console thy broken spirit, if thou canst, with these tender yet futile tributes of regret; "but take warning by the bitterness of this, thy contrite affliction over the dead, and henceforth be more faithful and affectionate in the discharge of thy duties to the living. Washington Irving. Stranger, however great, Beneath that beggar's roof, Lo! Death doth keep his state; Enter-no guards defend "That pavement, damp and cold, "No mingling voices sound- A sob suppressed—again That short, deep gasp, and then- 3Oh, change!-oh, wondrous change! This moment, there, so low, So agonised—and now Beyond the stars! Oh, change stupendous change! There lies the soulless clod; The sun eternal breaks The new immortal wakes Wakes with his God! Dramatic. Caroline Southey. Ex. 44. Scene from Hamlet. 1. Salutation. 5. Entreaty. 6. Acquiescing. 7. Sarcastic explanation. 8. Abstraction suddenly wakened to 9. Surprise and 10. Eager astonishment. 11. Narra12. Perplexity. 13. Anxiety rising gradually to 14. Fixed reso15. Amazement alternating with 16. Suspicion and foreboding. 2. Recognition. 3. Inquiry. 4. Dissenting. tive. lution. Enter HORATIO, MARCELLUS, and BERNARDO. HOR. 'Hail to your Lordship! HAM. I am glad to see you well. Horatio-or I do forget myself? HOR. The same, my Lord, and your poor servant ever. HAM. Sir, my good friend; I'll change that name with you: 3But what make you from Wittenburgh-Horatio? HOR. A truant disposition; good my Lord. HOR. Nor shall you do mine ear that violence, We'll teach you to drink deep ere you depart. HOR. HOR. HAM. My father! methinks I see my father! In my mind's eye, Horatio! HOR. My Lord, the king, your father. HOR. 11Season your admiration for a while HAM. For heaven's love, let me hear. Appears before them, and with solemn march Within his truncheon's length; whilst they, distilled |