Love, to whom your soft lip yields, Never, never, shall be missing. Welcome, welcome, then I sing, etc. Love, that question would anew Let him rightly study you, And a brief of that behold. Welcome, welcome, then I sing, WILLIAM DRUMMOND. 1585-1649. THE fame of Drummond of Hawthornden rests on his sonnets, many of which were inspired by love, and are among the best of the kind in the language. The name of the lady whose name they embalm was Mary Cunningham, a daughter of the Laird of Barns. Drummond fell in love with her, while cultivating his poetical talents at Hawthornden, after the death of his father, in 1610. She returned his passion, and the marriage-day was fixed; but before it arrived she was carried off by a fever. Drummond returned to his poetical studies, and in 1616 published a volume entitled, "POEMS: AMOROUS, FUNERALL, PASTORALL, IN SONNETS, SONGS, SEXTAINS, MADRIGALS,” from which the following extracts are taken. He travelled several years on the Continent, and made the acquaintance of many of the most learned men in France, Italy, and Germany; and returning to Scotland in 1631 or '32, he accidentally met a lady who bore a striking resemblance to his lost mistress, and married her. Her name was Elizabeth Logan, and she is said to have been a daughter of Sir Robert Logan, of Restelrig. Her pedigree has been disputed on the other side of the water, where they care for such trifles one account making her "the daughter of a minister, by one whose sire was a shepherd;" but to us, at this late day, it is of no great consequence who she was. In my first years, and prime yet not at height, That I (quires closed which dead, dead sighs but breathe) O sacred blush, impurpling cheeks' pure skies O bashful look, sent from those shining eyes, Which, though cast down on earth, couldst heaven adorn; O tongue, in which most luscious nectar lies, That trembling stood ere that her words were born: Ye all from love dissuade so sweetly me, Trust not, sweet soul, those curléd waves of gold, Nor voice whose sounds more strange effects do show Look to this dying lily, fading rose, Dark hyacinth, of late whose blushing beams The cruel tyrant that did kill those flowers, Slide soft, fair Forth, and make a crystal plain, Let not a wrinkle be, when you embrace The boat that earth's perfections doth contain. And yet huge waves arise; the cause is this, She whose fair flowers no autumn makes decay, Did walk alone, to brave the pride of May; And whilst through checkered lists she made her way, Lo, unawares, where Love did hid remain, She spied, and sought to make of him her prey; For which, of golden locks a fairest hair, To bind the boy, she took; but he, afraid At her approach, sprang swiftly in the air, And mounting far from reach, looked back and said, Are these the flowery banks, is this the mead, Is this the goodly elm did us o'erspread, Is this the rustling spring us music made? Deflourished mead, where is your heavenly hue? Alexis, here she stayed; among these pines, Sweet hermitress, she did alone repair; Here did she spread the treasure of her hair, More rich than that brought from the Colchian mines. She sate her by these muskéd eglantines, The happy place the print seems yet to bear; Her voice did sweeten here thy sugared lines, To which winds, trees, beasts, birds, did lend their ear. Me here she first perceived, and here a morn Of bright carnations did o'erspread her face; But ah! what served it to be happy so, How many times night's silent queen her face In Heaven's great hall she hath begun her task, The happy lover to forsake the breast Of his dear lady, wishing in the west His golden coach to run had larger space! I ever count, and number since, alas! I bade farewell to my heart's dearest guest; |