Elements of Criticism, Том 1Liberty Fund, 2005 - 821 страници |
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Страница 68
... spectator , but only that I conceive myself to be a spectator , and have a perception of the object similar to what a real spectator hath . As many rules of criticism depend on ideal presence , the reader , it is hoped , will take some ...
... spectator , but only that I conceive myself to be a spectator , and have a perception of the object similar to what a real spectator hath . As many rules of criticism depend on ideal presence , the reader , it is hoped , will take some ...
Страница 131
... spectator to anger in any degree . * Covetousness , cruelty , treachery , and other vicious passions , are so far from raising any emotion similar to themselves , to incite a spectator to imitation , that they have an opposite effect ...
... spectator to anger in any degree . * Covetousness , cruelty , treachery , and other vicious passions , are so far from raising any emotion similar to themselves , to incite a spectator to imitation , that they have an opposite effect ...
Страница 134
... spectator ; and consequently raiseth in every spectator a painful passion . What is the natural gratification of that passion ? I must here again observe , that supposing man to be entirely a selfish being , he would be prompted by his ...
... spectator ; and consequently raiseth in every spectator a painful passion . What is the natural gratification of that passion ? I must here again observe , that supposing man to be entirely a selfish being , he would be prompted by his ...
Съдържание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers