Elements of Criticism, Том 1Liberty Fund, 2005 - 821 страници |
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Страница 43
... sounds to raise emotions and passions . I begin with comparing sounds and visible objects with respect to their influence upon the mind . It has already been observed , that of all external objects , rational beings , especially of our ...
... sounds to raise emotions and passions . I begin with comparing sounds and visible objects with respect to their influence upon the mind . It has already been observed , that of all external objects , rational beings , especially of our ...
Страница 89
... sounds , as the simplest case . Two sounds that mix , and , as it were , incorporate before they reach the ear , are said to be concordant . That each of the two sounds , even after their union , produceth an emotion of its own , must ...
... sounds , as the simplest case . Two sounds that mix , and , as it were , incorporate before they reach the ear , are said to be concordant . That each of the two sounds , even after their union , produceth an emotion of its own , must ...
Страница 98
... sounds is entitled to the name of music : for all music is resolvable into melody and harmony , which imply agreeableness in their very conception . * Secondly , the agree- * Sounds may be so contrived as to produce horror , and several ...
... sounds is entitled to the name of music : for all music is resolvable into melody and harmony , which imply agreeableness in their very conception . * Secondly , the agree- * Sounds may be so contrived as to produce horror , and several ...
Съдържание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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Често срещани думи и фрази
action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers