Elements of Criticism, Том 1Liberty Fund, 2005 - 821 страници |
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Страница 40
... social . Hence it follows , that instinctive actions , where we act blindly and merely by impulse , cannot be reckoned either social or selfish : thus eating , when prompted by an impulse merely of nature , is neither social nor selfish ...
... social . Hence it follows , that instinctive actions , where we act blindly and merely by impulse , cannot be reckoned either social or selfish : thus eating , when prompted by an impulse merely of nature , is neither social nor selfish ...
Страница 41
... social . Thus it happens , that when a social motive becomes strong , the action is exerted with a view singly to the object of the passion , and self never comes in view . The same effect of stifling selfish motives , is equally ...
... social . Thus it happens , that when a social motive becomes strong , the action is exerted with a view singly to the object of the passion , and self never comes in view . The same effect of stifling selfish motives , is equally ...
Страница 82
... social affections in the progress of society , is held to be a refinement in our nature . A savage knows little of social affection , and therefore is not < 113 > qualified to compare selfish and social pleasure ; but a man , after ...
... social affections in the progress of society , is held to be a refinement in our nature . A savage knows little of social affection , and therefore is not < 113 > qualified to compare selfish and social pleasure ; but a man , after ...
Съдържание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers