Elements of Criticism, Том 1Liberty Fund, 2005 - 821 страници |
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Страница 60
... passing from it to the former . This vibration of the mind in passing and repassing between things related , explains the facts above mentioned : the mind pass- eth easily from the father to the daughter ; but where the daughter is mar ...
... passing from it to the former . This vibration of the mind in passing and repassing between things related , explains the facts above mentioned : the mind pass- eth easily from the father to the daughter ; but where the daughter is mar ...
Страница 68
... passing in my presence ; and this perception is an act of in- tuition , into which reflection enters not , more than into an act of sight . Tho ' ideal presence is thus distinguished from real presence on the one side , and from ...
... passing in my presence ; and this perception is an act of in- tuition , into which reflection enters not , more than into an act of sight . Tho ' ideal presence is thus distinguished from real presence on the one side , and from ...
Страница 69
... passing in my pres- ence . On the other hand , a slight or superficial narrative produceth but a faint and incomplete idea , of which ideal presence makes no part . Past time is a circumstance that enters into this idea , as it doth ...
... passing in my pres- ence . On the other hand , a slight or superficial narrative produceth but a faint and incomplete idea , of which ideal presence makes no part . Past time is a circumstance that enters into this idea , as it doth ...
Съдържание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers