Elements of Criticism, Том 1Liberty Fund, 2005 - 821 страници |
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Страница 207
... operations , which are seldom left imperfect ; but in the operations of art , it hath great scope : it impels us to persevere in our own work , and to wish for the completion of what another is doing : we feel a sensible pleasure when ...
... operations , which are seldom left imperfect ; but in the operations of art , it hath great scope : it impels us to persevere in our own work , and to wish for the completion of what another is doing : we feel a sensible pleasure when ...
Страница 220
... operation ; till , the difficulty becoming unsur- mountable , we are forc'd to quit our hold , and to permit the train to take its usual course . The power we have over this train as to uniformity and variety , is in some 2. Act I , Sc ...
... operation ; till , the difficulty becoming unsur- mountable , we are forc'd to quit our hold , and to permit the train to take its usual course . The power we have over this train as to uniformity and variety , is in some 2. Act I , Sc ...
Страница 316
... operation has in Paris introduced a singular amusement , which is , to burlesque the more successful tragedies in a sort of farce , called a parody . La Motte [ Antoine Houdard de la Motte , A Critical Discourse on Homer's Iliad , 1714 ] ...
... operation has in Paris introduced a singular amusement , which is , to burlesque the more successful tragedies in a sort of farce , called a parody . La Motte [ Antoine Houdard de la Motte , A Critical Discourse on Homer's Iliad , 1714 ] ...
Съдържание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers