Elements of Criticism, Том 1Liberty Fund, 2005 - 821 страници |
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Страница 45
... influence attributed to music , when , with respect to another of the fine arts , he finds a living instance of an influence no less powerful . It is unhappily indeed the reverse of the former ; for it has done more mischief by ...
... influence attributed to music , when , with respect to another of the fine arts , he finds a living instance of an influence no less powerful . It is unhappily indeed the reverse of the former ; for it has done more mischief by ...
Страница 74
... influence which language hath over the heart ; an influence , which , more than any other means , strengthens the bond of society , and attracts individuals from their private system to perform acts of generosity and be- nevolence ...
... influence which language hath over the heart ; an influence , which , more than any other means , strengthens the bond of society , and attracts individuals from their private system to perform acts of generosity and be- nevolence ...
Страница 112
... influence . That our actions are too much influenced by passion , is a known truth ; but it is not less certain , tho ' not so well known , that passion hath also an influence upon our perceptions , opinions , and belief . For example ...
... influence . That our actions are too much influenced by passion , is a known truth ; but it is not less certain , tho ' not so well known , that passion hath also an influence upon our perceptions , opinions , and belief . For example ...
Съдържание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers