Elements of Criticism, Том 1Liberty Fund, 2005 - 821 страници |
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Страница 33
... Human nature is a complicate machine , and is un- avoidably so in order to answer its various purposes . The public indeed have been entertained with many systems of human nature that flatter the mind by their simplicity : according to ...
... Human nature is a complicate machine , and is un- avoidably so in order to answer its various purposes . The public indeed have been entertained with many systems of human nature that flatter the mind by their simplicity : according to ...
Страница 294
... human sacrifices to be represented in < 423 > their theatre , of which the Iphigenia of Euripides is a proof . But a human sacrifice , being altogether inconsistent with modern manners as producing horror instead of pity , cannot with ...
... human sacrifices to be represented in < 423 > their theatre , of which the Iphigenia of Euripides is a proof . But a human sacrifice , being altogether inconsistent with modern manners as producing horror instead of pity , cannot with ...
Страница 309
... human consti- tution . These external signs , being all of them resolvable into colour , figure , and motion , should not naturally make any deep impression on a spectator : and supposing them qualified for making deep impressions , we ...
... human consti- tution . These external signs , being all of them resolvable into colour , figure , and motion , should not naturally make any deep impression on a spectator : and supposing them qualified for making deep impressions , we ...
Съдържание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers