Elements of Criticism, Том 1Liberty Fund, 2005 - 821 страници |
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Страница 94
... force of dissimilar emotions coexistent , we must distinguish between their causes as connected or un- connected : and in order to compute their force in the former case , sub- traction must be used instead of addition ; which will be ...
... force of dissimilar emotions coexistent , we must distinguish between their causes as connected or un- connected : and in order to compute their force in the former case , sub- traction must be used instead of addition ; which will be ...
Страница 181
... force exerted , resembling also its cause , is felt as if force were exerted within the mind . To illustrate that difference , I give the following examples . It has been explained why smoke ascending in a calm day , suppose from a ...
... force exerted , resembling also its cause , is felt as if force were exerted within the mind . To illustrate that difference , I give the following examples . It has been explained why smoke ascending in a calm day , suppose from a ...
Страница 183
... force in conjunction . In contemplating the planetary system , what strikes us the most , is the spherical figures of the planets , and their regular motions ; the ... force , Providence indulgently provides for our MOTION AND FORCE 183.
... force in conjunction . In contemplating the planetary system , what strikes us the most , is the spherical figures of the planets , and their regular motions ; the ... force , Providence indulgently provides for our MOTION AND FORCE 183.
Съдържание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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Често срещани думи и фрази
action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers