Elements of Criticism, Том 1Liberty Fund, 2005 - 821 страници |
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Страница 142
... figure , and length , breadth , and thickness . A tree is composed of a trunk , branches , and leaves ; it has colour , figure , size , and sometimes motion : by means of each of these par- ticulars , separately considered , it appears ...
... figure , and length , breadth , and thickness . A tree is composed of a trunk , branches , and leaves ; it has colour , figure , size , and sometimes motion : by means of each of these par- ticulars , separately considered , it appears ...
Страница 146
... figure the mind can never have any distinct perception . A square is more regular than a parallelogram , and its parts more uni- form ; and for these reasons , it is more beautiful . But that holds with respect to intrinsic beauty only ...
... figure the mind can never have any distinct perception . A square is more regular than a parallelogram , and its parts more uni- form ; and for these reasons , it is more beautiful . But that holds with respect to intrinsic beauty only ...
Страница 229
... figure of an organic body , is generally regular . The trunk of a tree , its branches , and their ramifications are nearly round , and form a series regularly decreasing from the trunk to the smallest fibre : uniformity is no where more ...
... figure of an organic body , is generally regular . The trunk of a tree , its branches , and their ramifications are nearly round , and form a series regularly decreasing from the trunk to the smallest fibre : uniformity is no where more ...
Съдържание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers