Elements of Criticism, Том 1Liberty Fund, 2005 - 821 страници |
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Страница 78
... felt as existing within us . But a passion or emotion , beside being felt , is frequently made an object of thought or reflection : we examine it ; we enquire into its nature , its cause , and its effects . In that view , like other ...
... felt as existing within us . But a passion or emotion , beside being felt , is frequently made an object of thought or reflection : we examine it ; we enquire into its nature , its cause , and its effects . In that view , like other ...
Страница 92
... felt from the concord of these emotions . As that pleasure resembles greatly the pleasure of concordant sounds , it may be termed the Harmony of Emotions . This harmony is felt in the different emotions occasioned by the visible objects ...
... felt from the concord of these emotions . As that pleasure resembles greatly the pleasure of concordant sounds , it may be termed the Harmony of Emotions . This harmony is felt in the different emotions occasioned by the visible objects ...
Страница 181
... felt as if the mind were carried along : the emotion raised by force exerted , resembling also its cause , is felt as if force were exerted within the mind . To illustrate that difference , I give the following examples . It has been ...
... felt as if the mind were carried along : the emotion raised by force exerted , resembling also its cause , is felt as if force were exerted within the mind . To illustrate that difference , I give the following examples . It has been ...
Съдържание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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Често срещани думи и фрази
action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers