Elements of Criticism, Том 1Liberty Fund, 2005 - 821 страници |
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Страница 159
... expressions , are characterised in the same manner : an expression or sentiment that raises the mind , is denominated great or ele- vated ; and hence the SUBLIME * in poetry . < 224 > In such figurative terms , we lose the distinction ...
... expressions , are characterised in the same manner : an expression or sentiment that raises the mind , is denominated great or ele- vated ; and hence the SUBLIME * in poetry . < 224 > In such figurative terms , we lose the distinction ...
Страница 252
... expressions of the countenance : and from what expressions so naturally as from those which indicate mental qualities ... expression will be too faint and obscure to be graceful . < 366 > 10 CHAPTER XII 100 Ridicule To define ridicule ...
... expressions of the countenance : and from what expressions so naturally as from those which indicate mental qualities ... expression will be too faint and obscure to be graceful . < 366 > 10 CHAPTER XII 100 Ridicule To define ridicule ...
Страница 264
... expressions : the term is never ap- plied to an action nor to a passion , and as little to an external object . However difficult it may be , in many instances , to distinguish a witty thought or expression from one that is not so ; yet ...
... expressions : the term is never ap- plied to an action nor to a passion , and as little to an external object . However difficult it may be , in many instances , to distinguish a witty thought or expression from one that is not so ; yet ...
Съдържание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers