Elements of Criticism, Том 1Liberty Fund, 2005 - 821 страници |
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Страница 12
... dignity as to become a laudable entertainment . They are not , however , set on a level with the purely intel- lectual ; being no less inferior in dignity to intellectual pleasures , than su- perior to the organic or corporeal : they ...
... dignity as to become a laudable entertainment . They are not , however , set on a level with the purely intel- lectual ; being no less inferior in dignity to intellectual pleasures , than su- perior to the organic or corporeal : they ...
Страница 246
... dignity to any action but what is virtuous , nor meanness to any but what is faulty . Every action of dignity creates respect and esteem for the author ; and a mean action draws upon him contempt . A man is admired for a grand action ...
... dignity to any action but what is virtuous , nor meanness to any but what is faulty . Every action of dignity creates respect and esteem for the author ; and a mean action draws upon him contempt . A man is admired for a grand action ...
Страница 248
... dignity . The same is the case of friendship . When gratitude is warm , it animates the mind ; but it scarce rises to dignity . Joy bestows dignity when it proceeds from an elevated cause . any dis- If I can depend upon induction , dignity ...
... dignity . The same is the case of friendship . When gratitude is warm , it animates the mind ; but it scarce rises to dignity . Joy bestows dignity when it proceeds from an elevated cause . any dis- If I can depend upon induction , dignity ...
Съдържание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers