Elements of Criticism, Том 1Liberty Fund, 2005 - 821 страници |
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Страница 228
... considered , be in any degree beautiful , for uniformity amid variety among ugly objects , affords no pleasure . This circumstance is totally omitted in the definition ; and indeed to have mentioned it , would at the very first glance ...
... considered , be in any degree beautiful , for uniformity amid variety among ugly objects , affords no pleasure . This circumstance is totally omitted in the definition ; and indeed to have mentioned it , would at the very first glance ...
Страница 243
... considered in itself , is to the author disagreeable , as well as to every spectator : considered by the author with relation to himself , it raises self - contempt : considered by him with relation CONGRUITY AND PROPRIETY 243.
... considered in itself , is to the author disagreeable , as well as to every spectator : considered by the author with relation to himself , it raises self - contempt : considered by him with relation CONGRUITY AND PROPRIETY 243.
Страница 244
... considered by others , it raises their contempt and indigna- tion < 351 > against the author . These feelings are all of them occasioned by the impropriety of the action . When the action is considered as unjust , it occasions another ...
... considered by others , it raises their contempt and indigna- tion < 351 > against the author . These feelings are all of them occasioned by the impropriety of the action . When the action is considered as unjust , it occasions another ...
Съдържание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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Често срещани думи и фрази
action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers