Elements of Criticism, Том 1Liberty Fund, 2005 - 821 страници |
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Страница 142
... colour , figure , size , and sometimes motion : by means of each of these par- ticulars , separately considered , it ... colours , various motions , figures , size , & c .; all united in one complex object , and striking the eye with ...
... colour , figure , size , and sometimes motion : by means of each of these par- ticulars , separately considered , it ... colours , various motions , figures , size , & c .; all united in one complex object , and striking the eye with ...
Страница 148
... colour ; for if colour be a secondary quality , existing no where but in the mind of the spectator , its beauty must exist there also . This conclusion equally holds with respect to the beauty of utility , which is plainly a conception ...
... colour ; for if colour be a secondary quality , existing no where but in the mind of the spectator , its beauty must exist there also . This conclusion equally holds with respect to the beauty of utility , which is plainly a conception ...
Страница 152
... colour , makes a grander appearance , and consequently strikes more terror , than where there is confusion of colours and of dress . Thus greatness or magnitude is the circumstance that distinguishes grandeur from beauty : agreeableness ...
... colour , makes a grander appearance , and consequently strikes more terror , than where there is confusion of colours and of dress . Thus greatness or magnitude is the circumstance that distinguishes grandeur from beauty : agreeableness ...
Съдържание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers