Elements of Criticism, Том 1Liberty Fund, 2005 - 821 страници |
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Страница 165
... circumstances only which make the greatest figure , keeping out of view every thing low or trivial ; for the mind , elevated by an important object , cannot , without reluctance , be forc'd down to bestow any share of its at- tention ...
... circumstances only which make the greatest figure , keeping out of view every thing low or trivial ; for the mind , elevated by an important object , cannot , without reluctance , be forc'd down to bestow any share of its at- tention ...
Страница 166
... circumstances are selected to fill the mind with terror and astonishment . The former is a collection of mi- < 234 > nute and low circumstances , which scatter the thought and make no impression : it is at the same time full of verbal ...
... circumstances are selected to fill the mind with terror and astonishment . The former is a collection of mi- < 234 > nute and low circumstances , which scatter the thought and make no impression : it is at the same time full of verbal ...
Страница 191
... circumstances heighten remarkably the emotion : the singu- larity of the spectator concurs with the singularity of the object , to inflame wonder to its highest pitch . In explaining the effects of novelty , the place a being occupies ...
... circumstances heighten remarkably the emotion : the singu- larity of the spectator concurs with the singularity of the object , to inflame wonder to its highest pitch . In explaining the effects of novelty , the place a being occupies ...
Съдържание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers