Elements of Criticism, Том 1Liberty Fund, 2005 - 821 страници |
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Страница 32
... chapter is to de- lineate that connection , with the view chiefly to ascertain what power the fine arts have to raise emotions and passions . To those who would excel in the fine arts , that branch of knowledge is indispensable ; for ...
... chapter is to de- lineate that connection , with the view chiefly to ascertain what power the fine arts have to raise emotions and passions . To those who would excel in the fine arts , that branch of knowledge is indispensable ; for ...
Страница 142
... chapter , this chapter is confined to beauty in its proper signification . It is natural to suppose , that a perception so various as that of beauty , comprehending sometimes many particulars , sometimes few , should oc- casion emotions ...
... chapter , this chapter is confined to beauty in its proper signification . It is natural to suppose , that a perception so various as that of beauty , comprehending sometimes many particulars , sometimes few , should oc- casion emotions ...
Страница 144
... chapter by itself ; and another chapter is destined < 200 > for gran- deur being distinguishable from beauty in its proper sense . For a description of regularity , uniformity , proportion , and order , if thought necessary , mit my ...
... chapter by itself ; and another chapter is destined < 200 > for gran- deur being distinguishable from beauty in its proper sense . For a description of regularity , uniformity , proportion , and order , if thought necessary , mit my ...
Съдържание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers