Elements of Criticism, Том 1Liberty Fund, 2005 - 821 страници |
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Страница 8
... Chap . 3. Beauty , 195 Chap . 4. Grandeur and Sublimity , Chap . 5. Motion and Force , Chap . 6. Novelty , and the unexpected appearance of Objects , Chap . 7. Risible Objects , 210 250 258 272 Chap . 8. Resemblance and Dissimilitude ...
... Chap . 3. Beauty , 195 Chap . 4. Grandeur and Sublimity , Chap . 5. Motion and Force , Chap . 6. Novelty , and the unexpected appearance of Objects , Chap . 7. Risible Objects , 210 250 258 272 Chap . 8. Resemblance and Dissimilitude ...
Страница 9
... Chap . 21. Narration and Description , 325 Chap . 22. Epic and Dramatic Compositions , 369 Chap . 23. The Three Unities , 403 Chap . 24. Gardening and Architecture , 430 Chap . 25. Standard of Taste , Appendix . Terms defined or ...
... Chap . 21. Narration and Description , 325 Chap . 22. Epic and Dramatic Compositions , 369 Chap . 23. The Three Unities , 403 Chap . 24. Gardening and Architecture , 430 Chap . 25. Standard of Taste , Appendix . Terms defined or ...
Страница 166
... Chap . 8. of the Sublime . [ Chap . 10. The lines are from a lost poem of the seventh century B.C. attributed to Aristeas of Proconnesus . ] 14. Pope's translation of The Iliad : xv.752ff . and roar on the plain , loud , rough , 166 ...
... Chap . 8. of the Sublime . [ Chap . 10. The lines are from a lost poem of the seventh century B.C. attributed to Aristeas of Proconnesus . ] 14. Pope's translation of The Iliad : xv.752ff . and roar on the plain , loud , rough , 166 ...
Съдържание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers