Elements of Criticism, Том 1Liberty Fund, 2005 - 821 страници |
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Страница 153
... Hence it is , that a large object is not so agreeable by its regularity , as a small object ; nor so disagreeable by its irregularities . These considerations make it evident , that gran- < 215 > deur is satisfied with a less degree of ...
... Hence it is , that a large object is not so agreeable by its regularity , as a small object ; nor so disagreeable by its irregularities . These considerations make it evident , that gran- < 215 > deur is satisfied with a less degree of ...
Страница 159
... hence the SUBLIME * in poetry . < 224 > In such figurative terms , we lose the distinction between great and elevated in their proper sense ; for the resemblance is not so entire , as to preserve these terms distinct in their figurative ...
... hence the SUBLIME * in poetry . < 224 > In such figurative terms , we lose the distinction between great and elevated in their proper sense ; for the resemblance is not so entire , as to preserve these terms distinct in their figurative ...
Страница 183
... Hence the superior beauty of some machines , where force and motion concur to perform the work of numberless hands . Hence the beautiful motions , firm and regular , of a horse trained for war : every single step is the fittest that can ...
... Hence the superior beauty of some machines , where force and motion concur to perform the work of numberless hands . Hence the beautiful motions , firm and regular , of a horse trained for war : every single step is the fittest that can ...
Съдържание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers