The English of Shakespeare: Illustrated in a Philological Commentary on His Julius Caesar |
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There would be no end of conjectural emendation if it were permitted us , in the text of Shakespeare or of any other writer , to disturb an authorized or accepted reading on no other ground than that it might , as we may think ...
There would be no end of conjectural emendation if it were permitted us , in the text of Shakespeare or of any other writer , to disturb an authorized or accepted reading on no other ground than that it might , as we may think ...
Страница 2
... in the necessity of finding some way of supporting his family which required no apprenticeship . He became first an actor , then a writer for the stage . Already by the year 1589 he had worked his way up to be one 2 PROLEGOMENA .
... in the necessity of finding some way of supporting his family which required no apprenticeship . He became first an actor , then a writer for the stage . Already by the year 1589 he had worked his way up to be one 2 PROLEGOMENA .
Страница 4
... which appeared together in 1609. But the Sonnets , or some of them at least , were well known long before this . “ As the soul of Euphorbus was thought to . live in Pythagoras , ” says a writer named Francis Meres in ...
... which appeared together in 1609. But the Sonnets , or some of them at least , were well known long before this . “ As the soul of Euphorbus was thought to . live in Pythagoras , ” says a writer named Francis Meres in ...
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held to profess to do more than to instance some of the works by which Shakespeare had by this time in his opinion proved himself the greatest English writer that had yet arisen both in tragedy and in comedy .
held to profess to do more than to instance some of the works by which Shakespeare had by this time in his opinion proved himself the greatest English writer that had yet arisen both in tragedy and in comedy .
Страница 9
This would seem to imply , what is otherwise probable enough , that up to this time Shakespeare had chiefly made himself known as a dramatic writer by remodelling and improving the works of his predecessors .
This would seem to imply , what is otherwise probable enough , that up to this time Shakespeare had chiefly made himself known as a dramatic writer by remodelling and improving the works of his predecessors .
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according annotator answer Antony appear authority bear believe better blood Brutus Cæsar called Casca Cassius Collier common commonly correction death doth doubt edition editors English Enter evidently expression fall fear Folio French German give given hand hath head hear heart Henry hold honour instance Julius Cæsar kind King language Latin least live look lord lost Lucius manner March Mark matter meaning merely mind natural nearly never night noble observed occurs old copies once original passage perhaps person Play present printed probably pronounced reading reason regard remarkable Roman Rome scene Second seems sense Shakespeare signifying slight sometimes speak speech spirit stage direction stand strong supposed syllable taken tell thee thing Third thou thought tion true verb verse word writers
Библиография
| Заглавие | The English of Shakespeare: Illustrated in a Philological Commentary on His Julius Caesar The English of Shakespeare Illustrated in a Philological Commentary on His Julius Caesar, George Lillie Craik |
| Автор | George Lillie Craik |
| Издание | 4 |
| Издател | Chapman and Hall, 1869 |
| Оригиналът е от | Мичиганският университет |
| Цифровизирана на | 24 апр 2013 |
| Брой страници | 350 страници |
| Експортиране на описанието | BiBTeX EndNote RefMan |