The English of Shakespeare Illustrated in a Philological Commentary on His Julius Caesar, Том 70 |
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Страница 34
It is needless to observe that both in Shakespeare and in all our other writers of
verse we have abundance of lines broken by pauses of all lengths without any
such effect being thereby produced as is here assumed . If the pause be really ...
It is needless to observe that both in Shakespeare and in all our other writers of
verse we have abundance of lines broken by pauses of all lengths without any
such effect being thereby produced as is here assumed . If the pause be really ...
Страница 46
... it had been either plagiarized or imitated by the great English dramatist had
ever crossed his mind . The resemblance , in fact , is no greater than would be
almost sure to occur in the case of any two writers in verse , however widely
remote ...
... it had been either plagiarized or imitated by the great English dramatist had
ever crossed his mind . The resemblance , in fact , is no greater than would be
almost sure to occur in the case of any two writers in verse , however widely
remote ...
Страница 68
Even after the middle of the sixteenth century , however , we have the old
distinction between the two terminations ( the end or and for the present participle
, or the agent , and the ing for the verbal act ) still adhered to by the Scottish
writers .
Even after the middle of the sixteenth century , however , we have the old
distinction between the two terminations ( the end or and for the present participle
, or the agent , and the ing for the verbal act ) still adhered to by the Scottish
writers .
Страница 73
In the do kiss we have a common archaism , the retention of the auxiliary , now
come to be regarded , when it is not emphatic , as a pleonasm enfeebling the
expression , and consequently denied alike to the writer of prose and to the writer
of ...
In the do kiss we have a common archaism , the retention of the auxiliary , now
come to be regarded , when it is not emphatic , as a pleonasm enfeebling the
expression , and consequently denied alike to the writer of prose and to the writer
of ...
Страница 86
was used by the writers of the last [ 17th ] century to express & consequence ,
instead of som that . Swift [ who died 1745 ] , I believe , is the last of our good
writers who has frequently used this manner of expression . It seems improper ,
and is ...
was used by the writers of the last [ 17th ] century to express & consequence ,
instead of som that . Swift [ who died 1745 ] , I believe , is the last of our good
writers who has frequently used this manner of expression . It seems improper ,
and is ...
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according annotator answer Antony appear authority bear believe better blood Brutus Cæsar called Casca Cassius Collier common commonly correction death doth doubt edition editors English Enter expression fall fear Folio formerly French German give given hand hath head hear heart Henry hold honour instance Julius kind King language Latin least live look lord lost Lucius manner March Mark matter meaning merely mind natural nearly never night noble observed occurs old copies once original passage perhaps person phrase Play present printed probably pronounced reading reason regard remarkable Roman Rome scene Second seems sense Shakespeare signifying slight sometimes speak speech spirit stage direction stand strong supposed syllable taken tell thee thing Third thou thought tion true verb verse word writers
Библиография
| Заглавие | The English of Shakespeare Illustrated in a Philological Commentary on His Julius Caesar, Том 70 The English of Shakespeare Illustrated in a Philological Commentary on His Julius Caesar, George Lillie Craik |
| Автор | George Lillie Craik |
| Издание | 4 |
| Издател | Chapman and Hall, 1869 |
| Оригиналът е от | Мичиганският университет |
| Цифровизирана на | 24 апр 2013 |
| Брой страници | 350 страници |
| Експортиране на описанието | BiBTeX EndNote RefMan |