Enter Tybalt. Ben. Here comes the furious Tybalt back again. Away to heav'n, respective lenity, Is but a little way above our heads, Staying for thine to keep him company; Tyb. Thou, wretched boy, that didft confort him here, Shalt with him hence. Rom. This shall determine that. [They fight, Tybalt falls. Ben. Romeo, away. Begone: The citizens are up, and Tybalt flain- If thou art taken. Hence. Begone. Rom. Oh! I am fortune's fool. Ben. Why doft thou stay ? SCENE III. Enter Citizens. Away. [Exit Romeo. Cit. Which way ran he that kill'd Mercutio? 2 Oh! I am fortune's fool.] I am always running in the way of evil fortune, like the fool in a VOL. VIII. F play. Thou art death's fool: in Measure for Measure. See Dr. Warburton's Note. Cit. Cit. Up, Sir. Go with me. Enter Prince, Montague, Capulet, their Wives, &c. Prin. Where are the vile beginners of this fray ? La. Cap. Tybalt, my coufin! O my brother's Prince, child! O-coufin-husband-O-the blood is spill'd Of my dear kinsman. Prince, 3 as thou art true, Prin. Benvolio, who began this fray? Ben. Tybalt, here slain, whom Romeo's hand did flay; Romeo, that spoke him fair, bid him bethink 3 as thou art true, As thou art just and upright. 4 How nice the quarrel-] How flight, how unimportant, how 6 petty. So in the last Act. : The letter was not nice, but Hold, Hold, friends! friends, part! and, fwifter than his tongue, His agile arm beats down their fatal points, La. Cap. He is a kinsman to the Montagues, Prin. Romeo flew him, he flew Mercutia; friend; His fault concludes but what the law should end, Prin. And for that offence, I have an interest in your hearts' proceeding, My blood for your rude brawls doth lie a bleeding; But 6 I have an interest in your hearts' proceeding,] Sir Th. Hanmer saw that this line gave no sense, and therefore put, by a very easy change, I have an interest in your beat's proceeding, Which is undoubtedly better than the old reading which Dr. Warburton has followed; but the fenfe But I'll amerce you with so strong a fine, [Exeunt. Jul. SCENE IV. Changes to an Apartment in Capulet's House. G Enter Juliet alone. ALLOP apace, you fiery-footed steeds, Tow'rds Phœbus manfion; fuch a wag goner, As Phaeton, would whip you to the west, 7 Spread thy close curtain, love-performing night, sense yet seems to be weak, and perhaps a more licentious correction is necessary. I read therefore, I had no interest in your heat's preceding. This, fays the Prince, is no quarrel of mine, I had no interest in your former difcord; I suffer merely by your private animofity. 7 Spread thy close curtain, loveperforming Night, That runaways eyes may wink ;) What runaways are these, whose Leap eyes Juliet is wishing to have stopt? Macbeth, we may remember, makes an invocation to Night much in the same strain, Come, feeling Night, Scarf up the tender eye of pitiful day, &c. So Juliet would have Night's darkness obsure the great eye of the day, the Sun; whom confidering in a poetical light as Phœbus, drawn in his carr with fieryfooted steeds, and posting thro' the heavens, she very probably calls Leap to these arms, untalkt of and unseen. bold, Thinks true love acted, simple modefty. Come, night; come, Romeo! come, thou day in night, For thou wilt lie upon the wings of night, Whiter than fnow upon a raven's back: Come, gentle night; come, loving, black-brow'd night! Give me my Romeo, and, when he shall die, him, with regard to the swift- For the clofe Night doth play the yet unacquainted with man. The gairish fun.] Milton had this speech in his thoughts when he wrote Il Penserofo. Civil night, WARB. I am not fatisfied with this Thou fober-fuited matron. Shakespeare. Till civil-fuited morn appear. emendation, yet have nothing Milton. better to propose. Pay no worship to the gairijh 8 Come, civil night,] Civil is Jun. Shakespeare. grave, decently folemn. Hide me from Day's gairish eye. 9 -unmann'd blood-] Blood Milton. |