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She touched her lute- -never again
Her ear will listen to its strain!

She took her cage, first kissed the breast-
Then freed the white dove prisoned there:
It paused one moment on her hand,

Then spread its glad wings to the air.
She drank the breath, as it were health,
That sighed from every scented blossom;
And, taking from each one a leaf,

Hid them, like spells, upon her bosom.
Then sought the secret path again

She once before had traced, when lay A Christian in her father's chain;

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And gave him gold, and taught the way
To fly. She thought upon the night,
When, like an angel of the light,
She stood before the prisoner's sight,
And led him to the cypress grove,
And showed the bark and hidden cove;
And bade the wandering captive flee,
In words he knew from infancy!
And then she thought how for her love
He had braved slavery and death,
That he might only breathe the air

Made sweet and sacred by her breath.
She reached the grove of cypresses,—
Another step is by the side:
Another moment, and the bark

Bears the fair Moor across the tide !

'Twas beautiful, by the pale moonlight, To mark her eyes,-now dark, now bright,

As now they met, now shrank away,

From the gaze that watched and worshipped their day. They stood on the deck, and the midnight gale

Just waved the maiden's silver veil

Just lifted a curl as if to show

The cheek of rose that was burning below :

And never spread a sky of blue

More clear for the stars to wander through!
And never could their mirror be

A calmer or a lovelier sea!

For every wave was a diamond gleam:
And that light vessel well might seem
A fairy ship, and that graceful pair
Young Genii, whose home was of light and air!

Another evening came, but dark;

The storm clouds hovered round the bark
Of misery :-they just could see

The distant shore of Italy,

As the dim moon through vapours shone-
A few short rays, her light was gone.
O'er head a sullen scream was heard,
As sought the land the white sea-bird,
Her pale wings like a meteor streaming.
Upon the waves a light is gleaming-

Ill-omened brightness, sent by Death
To light the night-black depths beneath.
The vessel rolled amid the surge;

The winds howled round it, like a dirge
Sung by some savage race. Then came

The rush of thunder and of flame :
It showed two forms upon the deck,—
One clasped around the other's neck,
As there she could not dream of fear-
In her lover's arms could danger be near?
He stood and watched her with the eye
Of fixed and silent agony.

The waves swept on: he felt her heart
Beat close and closer yet to his !
They burst upon the ship!-the sea
Has closed upon their dream of bliss!

Surely their's is a pleasant sleep,
Beneath that ancient cedar tree,
Whose solitary stem has stood

For years alone beside the sea!
The last of a most noble race,

That once had there their dwelling-place,
Long past away! Beneath its shade,
A soft green couch the turf had made :-
And glad the morning sun is shining
On those beneath the boughs reclining.
Nearer the fisher drew.
He saw

The dark hair of the Moorish maid,
Like a veil, floating o'er the breast,
Where tenderly her head was laid ;-
And yet her lover's arm was placed
Clasping around the graceful waist!
But then he marked the youth's black curls
Were dripping wet with foam and blood;
And that the maiden's tresses dark

Were heavy with the briny flood!

Woe for the wind!-woe for the wave!
They sleep the slumber of the grave!
They buried them beneath that tree;
It long had been a sacred spot.
Soon it was planted round with flowers
By many who had not forgot;

Or

yet lived in those dreams of truth,

The Eden birds of early youth,

That make the loveliness of love :

And called the place "THE MAIDEN'S COVE,"-
That she who perished in the sea

Might thus be kept in memory.

FROM many a lip came sounds of praise,
Like music from sweet voices ringing;

For many a boat had gathered round,
To list the song I had been singing.
There are some moments in our fate
That stamp the colour of our days;

t

50

As, till then, life had not been felt,→

And mine was sealed in the slight gaze
Which fixed my eye, and fired my brain,
And bowed my heart beneath the chain.
'Twas a dark and flashing eye,
Shadows, too, that tenderly,

With almost female softness, came
O'er its mingled gloom and flame.
His cheek was pale; or toil, or care,
Or midnight study, had been there,
Making its young colours dull,
Yet leaving it most beautiful.
Raven curls their shadows threw,
Like the twilight's darkening hue,
O'er the pure and mountain snow
Of his high and haughty brow;
Lighted by a smile, whose spell
Words are powerless to tell.
Such a lip!-oh, poured from thence
Lava floods of eloquence

Would come with fiery energy,
Like those words that cannot die.
Words the Grecian warrior spoke
When the Persian's chain he broke;
Or that low and honey tone,
Making woman's heart his own;
Such as should be heard at night,
In the dim and sweet starlight;
Sounds that haunt a beauty's sleep,
Treasures for her heart to keep.
Like the pine of summer tall;
Apollo, on his pedestal

In our own gallery, never bent

More graceful, more magnificent;
Ne'er look'd the hero, or the king,

More nobly than the youth who now,
As if soul-centred in my song,
Was leaning on a galley's prow.
He spoke not when the others spoke,
His heart was all too full for praise;
But his dark eyes kept fixed on mine,
Which sank beneath their burning gaze.
Mine sank-but yet I felt the thrill
Of that look burning on me still.

I heard no word that others said

Heard nothing, save one low-breathed sigh.

My hand kept wandering on my lute,
In music, but unconsciously:

My pulses throbbed, my heart beat high,
A flush of dizzy ecstacy

Crimsoned my cheek; I felt warm tears
Dimming my sight, yet was it sweet,
My wild heart's most bewildering beat,
Conciousness, without hopes or fears,
Of a new power within me waking,
Like light before the morn's full breaking.
ATHENEUM VOL. 2. 2d series.

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Amid my palace halls was one,
The most peculiarly my own:
The roof was blue and fretted gold,
The floor was of the Parian stone,
Shining like snow, as only meet
For the light tread of fairy feet;
And in the midst, beneath a shade
Of clustered rose, a fountain played,
Sprinkling its scented waters round,
With a sweet and lulling sound,-
O'er oranges, like Eastern gold,
Half hidden by the dark green fold
Of their large leaves ;-o'er hyacinth bells,
Where every summer odour dwells.
And, nestled in the midst, a pair

Of white wood-doves, whose home was there :
And, like an echo to their song,
At times a murmur past along;
A dying tone, a plaining fall,
So sad, so wild, so musical-
As the wind swept across the wire,
And waked my lone Æolian lyre,
Which lay upon the casement, where
The lattice wooed the cold night air,
Half hidden by a bridal twine
Of jasmine with the emerald vine.
And ever as the curtains made
A varying light, a changeful shade,
As the breeze waved them to and fro,
Came on the eye the glorious show
Of pictured walls, where landscape wild
Of wood, and stream, and mountain piled,
Or sunny vale, or twilight grove,

Or shapes whose every look was love;
Saints, whose diviner glance seemed caught
From Heaven, some, whose earthlier thought
Was yet more lovely,-shone like gleams
Of Beauty's spirit seen in dreams.

I threw me on a couch to rest,

Loosely I flung my long black hair;
It seemed to soothe my troubled breast
To drink the quiet evening air.
I looked upon the deep-blue sky,
And it was all hope and harmony.
Afar I could see the Arno's stream
Glorying in the clear moonbeam;
And the shadowy city met my gaze,
Like the dim memory of other days;
And the distant wood's black coronal
Was like oblivion, that covereth all.
I know not why my soul felt sad;

I touched my lute,-it would not waken, Save to old songs of sorrowing

Of hope betrayed-of hearts forsaken :

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IT

ON THE EXERTION OF FEMALE TALENT.

T is evident, from the many instances that have presented themselves to the world of feminine excellence, that the female mind is capable of profiting as much by cultivation and study as that of the other sex. We have had poetesses, philosophers, scholars, politicians, and moral writers, whose names will be handed down to future generations, who will rejoice in the truths diffused by their pens.

From the mixed society that a young man is thrown into at his entrance into life, it is probable by the time he commences author he may not be fully convinced that something more is expected of those who can produce any thing worth the perusal, than that they should merely amuse. It is directly the reverse with the female; they are early taught, that to be esteemed they must be useful, and the same argument each wisely applies to her own heart. While the man is delighting in those displays which should have been the objects of regular culti vation, the female is wisely laying up those stores of knowledge which is to make her useful" in her day and generation." We think no one will deem this chimerical. Who can take up any of Miss Hamilton's works, and say they are not the result of great study? or who can peruse the varied effusions of Miss More, and not perceive, in every line, the manifestations of a persevering intellect.

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There have been several instances on record of females who have arrived at great proficiency in the dead languages, of which Mrs. Carter, Miss Eliza Smith, and the celebrated French critic Madame Dacier, are extraordinary examples; and now and then that sportive goddess, Nature, by way of showing the "lords of the creation" what she could do, has created one or two spirits somewhat amazonian. Of this small and select class was a lady of the name of Juliana Barnes, who

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flourished several hundred years ago, and who wrote an elaborate treatise on hunting, hawking, and fishing, which may be found in the libraries of bibliomaniacs. Also Lettice Bigby, Bareness Offaley, who, during the tumults in Ireland in 1642, most valiantly defended her castle at Geashill against all assailants.

It would be difficult to mention the sphere of life where females have not determined to be celebrated: that they have been so the varied works of Madame de Stael, and the epistles of Madame de Sevigné, may be cited as instances almost worthy of being termed wonderful of female talent. The great powers of reasoning of the former, and the wit and discernment of every intrigue that was carrying on in the magnificent but dissolute court of Louis XIV. which is displayed in the letters of the latter, may be cited as illustrative of this remark. That they should excel as poetesses and novelists is not very wonderful; there is an imaginativeness and innate delicacy in the female mind admirably adapted to the composition of works of fiction; yet to what noble purposes have not some of this hitherto despised class of literature been rendered subservient to women. The works of that great moralist Edgeworth, and the beautiful and religious novels of the late Mrs. Brunton, are eminent examples of the justice of this conclusion. It is not irrelevant here to state, that we do not conceive it difficult to assign satisfying reasons for the contempt so lavishly bestowed on this genius of composition. Formerly every miserable wight, who could string a few sentences together, wrote novels, and we had productions in comparison with which the "renowned History of Daddy Two Shoes, on Three Legs," might fairly be termed sublime and beautiful; but this day has fled for ever, and amiable suicides, and love-sick robbers can de

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