Memoirs of Miss O'Neill: Containing Her Public Character, Private Life, and Dramatic Progress, from Her Entrance Upon the Stage;...D. Cox, 1816 - 100 страници |
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Страница 14
... seen to look to the door through which he past , and she retires with a thunder of applause , verify- ing Romeo's description , O , she doth teach the torches to burn bright , Her beauty hangs upon the cheek of night , Like a rich jewel ...
... seen to look to the door through which he past , and she retires with a thunder of applause , verify- ing Romeo's description , O , she doth teach the torches to burn bright , Her beauty hangs upon the cheek of night , Like a rich jewel ...
Страница 24
... seen - she van- quished . BELVIDERA . Miss O'Neill having thus so successfully sus➡ tained the ordeal of London criticism , from the tender and lovesick Juliet , past on to a character of still greater interest , the delineation of con ...
... seen - she van- quished . BELVIDERA . Miss O'Neill having thus so successfully sus➡ tained the ordeal of London criticism , from the tender and lovesick Juliet , past on to a character of still greater interest , the delineation of con ...
Страница 29
... seen . " Murder my father ! Though his cruel nature Has persecuted me to my undoing ; Driven me to basest wants ; can I behold him , With smiles of vengeance , butcher'd in his age ? The sacred fountain of my life destroyed ? And canst ...
... seen . " Murder my father ! Though his cruel nature Has persecuted me to my undoing ; Driven me to basest wants ; can I behold him , With smiles of vengeance , butcher'd in his age ? The sacred fountain of my life destroyed ? And canst ...
Страница 44
... seen . We have accordingly dwelt more on the first part of the play , as better adapted to the display of Miss O'Neill's natural and affecting powers , than en- larged on the last , where , as we observed in a for- mer part of the work ...
... seen . We have accordingly dwelt more on the first part of the play , as better adapted to the display of Miss O'Neill's natural and affecting powers , than en- larged on the last , where , as we observed in a for- mer part of the work ...
Страница 68
... seen on the stage . Her surprize also , after pronouncing the name of Percy , on recovering her- self , and finding Douglas present , in look , manner , and expression , shew a portrait of the deep and harrowing passions of the soul ...
... seen on the stage . Her surprize also , after pronouncing the name of Percy , on recovering her- self , and finding Douglas present , in look , manner , and expression , shew a portrait of the deep and harrowing passions of the soul ...
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Acasto acting actor actress appear approbation art thou audience beautiful Belfast Belvidera Beverley bless British stage brother burst of indignation Castalio ceived character of Monimia Covent Garden cruel daugh daughter dear death despair dignity display of Miss distracted Douglas dramatic Drogheda duction Elwina equally excellence exclaims expression exquisite father feeling female give given grief Haller happy Hast heart Heroine highly honour horror husband impression interest Isabella Jaffier JANE SHORE John O'Neill Juliet London look lord manner marriage merit mind Miss O'Neill Miss O'Neill's attractions Miss O'Neill's powers Miss O'Neill's talents nature night Otway passion pathetic pathos Percy piece play poet Polydore portrait possesses pourtrayed prepossession present pronounces racter reply representation Romeo says sensibility Shakspeare Shakspeare's shews Siddons situation soft soliloquy soul speaks spect surprize Syracuse tears tenderness theatre thee thou wilt tion tragedy Tybalt utterance Venice Preserved virtue voice wife words