Selected Dramas of John Dryden: With The RehearsalScott, Foresman, 1910 - 504 страници |
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Страница iii
... edition of his dramatic works , the Folio of 1701 , published just after his death . The text of the Scott - Saintsbury edition was first collated with the first edition of each play , and next with the Folio , and a record was made of ...
... edition of his dramatic works , the Folio of 1701 , published just after his death . The text of the Scott - Saintsbury edition was first collated with the first edition of each play , and next with the Folio , and a record was made of ...
Страница iv
... edition ( 1672 ) . Professor Arber's reprint was used as a basis for collation . The second edition has been inaccessible . The notes record additions to the text made in the third and subse- quent editions , but leave unnoticed small ...
... edition ( 1672 ) . Professor Arber's reprint was used as a basis for collation . The second edition has been inaccessible . The notes record additions to the text made in the third and subse- quent editions , but leave unnoticed small ...
Страница v
... edition , making the first quarto of each play the basis of its text , restores the somewhat inconsistent usage of Dryden's publishers . To save space , such variations between the present edition and the text of Ss and M are omitted ...
... edition , making the first quarto of each play the basis of its text , restores the somewhat inconsistent usage of Dryden's publishers . To save space , such variations between the present edition and the text of Ss and M are omitted ...
Страница ix
... editions of selections from his prose essays show that his importance as one of the founders of modern prose style is more clearly appreciated than formerly . As a dramatist , however , though he wrote for the theater during more than ...
... editions of selections from his prose essays show that his importance as one of the founders of modern prose style is more clearly appreciated than formerly . As a dramatist , however , though he wrote for the theater during more than ...
Страница xiii
... edition , xv . 346 ) , tells us that Beaumont and Fletcher were far more frequently acted than Shakspere or Ben Jonson . 3. For details , see Ward , op . cit . iii . 326. Dryden himself joined Davenant in rewriting The Tempest ( 1667 ) ...
... edition , xv . 346 ) , tells us that Beaumont and Fletcher were far more frequently acted than Shakspere or Ben Jonson . 3. For details , see Ward , op . cit . iii . 326. Dryden himself joined Davenant in rewriting The Tempest ( 1667 ) ...
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Често срещани думи и фрази
Abdal Abdelm ABDELMELECH Aben Absalom and Achitophel Alex Almah Almahide Almanz Almanzor Alph Amalthea Antony Arcos Aureng-Zebe Bayes Ben Jonson Benz Benzayda Boab Cæsar Catiline Cleo Cleopatra comedy Conquest of Granada court crown dare death Dola DORALICE drama Dryden edition English Enter ev'n Exeunt Exit eyes fate father fear fortune French friar give HAMET haste hear heart heav'n heroic plays honor i'gad John Dryden Johns king lady Leon live lord lov'd Lyndar LYNDARAXA madam Melantha mistress never Ozmyn Pala Palamede Palmyra pity plot poet Poly pow'r pray prince queen Raym Rehearsal Rhodophil scene Selin Shakspere Siege of Rhodes soul speak sword tell thee there's thought Torrismond tragedy Twas Vent Ventidius virtue wife word ZULEMA
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Страница 458 - Never ; he will not : Age cannot wither her, nor custom stale Her infinite variety : other women cloy The appetites they feed : but she makes hungry Where most she satisfies : for vilest things Become themselves in her; that the holy priests Bless her when she is riggish.
Страница 237 - Errors, like straws, upon the surface flow; He who would search for pearls, must dive below.
Страница xxiii - A tragi-comedy is not so called in respect of mirth and killing, but in respect it wants deaths, which is enough to make it no tragedy, yet brings some near to it, which is enough to make it no comedy...
Страница 444 - He was perfumed like a milliner ; And 'twixt his finger and his thumb he held A pouncet-box, which ever and anon He gave his nose, and took't away again ; — Who therewith angry, when it next came there, Took it in snuff : — and still he smil'd and talk'd . And as the soldiers bore dead bodies by.
Страница 248 - They said they would not fight for Cleopatra. Why should they fight indeed, to make her conquer, And make you more a slave ? to gain you kingdoms, Which, for a kiss, at your next midnight feast, You'll sell to her?
Страница 294 - O hold ! she is not fled. ANT. She is: my eyes Are open to her falsehood; my whole life Has been a golden dream of love and friendship; But, now I wake, I'm like a merchant, roused From soft repose, to see his vessel sinking, And all his wealth cast over.
Страница 277 - Can I do this? Ah, no, my love's so true, That I can neither hide it where it is, Nor show it where it is not. Nature meant me A wife; a silly, harmless, household dove, Fond without art, and kind without deceit...
Страница 271 - Go to him, children, go; Kneel to him, take him by the hand, speak to him ; For you may speak, and he may own you too, Without a blush; and so he cannot all His children: go, I say, and pull him to me, And pull him to yourselves, from that bad woman.
Страница 449 - Melantha is as finished an impertinent as ever fluttered in a drawing-room, and seems to contain the most complete system of female foppery, that could possibly be crowded into the tortured form of a fine lady. Her language, dress, motion, manners, soul, and body, are in a continual hurry to be something more than is necessary or commendable. And though I doubt it will be a vain labour, to offer you a just likeness of Mrs.
Страница 284 - O, wheel you there ? Observe him now ; the Man begins to mend, And talk substantial reason. Fear not, Eunuch, The Emperor has giv'n thee leave to speak. Alex. Else had I never dar'd t...